On the New Yorker’s 100th Anniversary, 1
On this, the 100th Anniversary of The New Yorker, I thought I would showcase the art I created for this venerable periodical, back in the 90’s. In those days, there was a regular section called the GOAT (Goings On About Town). All of the artwork in the GOAT was black-and-white, so they turned to me, as I was known as the leading in-house artist at The Wall Street Journal — all b+w then.
This post is one of three, comprising almost all of my output for the magazine. This part will cover the stage, artists, an exhibit, and movies.
David Strathairn and Jean Stapleton in a Harold Pinter stage production
I did work on an almost weekly basis for Chris Curry, the Art Director. I would receive a call on a Tuesday, and she would ask for delivery on Thursday, as I recall. I would have one day to complete the art. This was a pattern that continued for more than two years! Another artwork from the stage now resides in Ireland with a friend…
Dan Akroyd and Patti LuPone
I must admit these were fun to do, and I did enjoy the prestige of being in The New Yorker. I am a subscriber to the magazine today.
The Italian artist, Casia
Painter and Printmaker, Joan Mitchell
The mosaic depicted above advertises a major exhibit at the Met called “Pompei”, sponsored by IBM. Next, let’s go to the movies…
Last Year in Marienbad
Lots of pointillism in this expansive little piece! One thing I liked: they didn’t mind my signature appearing in the artwork. See sidewalk on bottom left…
Foreign Correspondent
This was a spy, film-noir movie from the 40’s… Sometimes, I took it upon myself to add color to an artwork, as in this image:
It adds a bit of “pop” to this stylish couple from a 30’s film. The black-and-white version was published.
Longtime Companion
Finally, an image of a film of the 90’s. These boys are having a good time… will it last?
More next week!
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